Enders' Tom Harrington agrees a Paramount takeover is probably a "better outcome" for cinema.
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While Jenkins and Sunday make for a fun old blood-new guard duo, their findings rarely reveal something that flashbacks haven't already made abundantly clear. The flashbacks themselves are primarily motivated through an interrogation of Clark, who does himself — and the audience! — no favors by staying awkwardly silent at inopportune moments. Are you trying your best to look guilty, Clark, or is DTF St. Louis just withholding information so it can justify its murder hook for another few episodes?